Try all weights and styles with own text samples here in tester or download Trials. For all details please download PDF specimen below.
RSA (Rivest–Shamir–Adleman) is a public-key cryptosystem that is widely used for secure data transmission. It is also one of the oldest. The acronym RSA comes from the surnames of Ron Rivest, Adi Shamir, and Leonard Adleman, who publicly described the algorithm in 1977. An equivalent system was developed secretly, in 1973 at GCHQ (the British signals intelligence agency), by the English mathematician Clifford Cocks. That system was declassified in 1997.
In a public-key cryptosystem, the encryption key is public and distinct from the decryption key, which is kept secret (private). An RSA user creates and publishes a public key based on two large prime numbers, along with an auxiliary value. The prime numbers are kept secret. Messages can be encrypted by anyone, via the public key, but can only be decoded by someone who knows the prime numbers.
The security of RSA relies on the practical difficulty of factoring the product of two large prime numbers, the "factoring problem". Breaking RSA encryption is known as the RSA problem. Whether it is as difficult as the factoring problem is an open question. There are no published methods to defeat the system if a large enough key is used.
RSA is a relatively slow algorithm. Because of this, it is not commonly used to directly encrypt user data. More often, RSA is used to transmit shared keys for symmetric key cryptography, which are then used for bulk encryption-decryption.
Lazzer is a sans-serif typeface with narrow proportions. It’s based on Dazzed typeface. The only difference is that open terminals were closed.
The Dazzed typeface started as a bespoke typeface for a cinematic project proposal. In the same way that all kinds of movies exist, Dazzed aims to comprise them in its overall look. You can see comic, grotesque, dramatic and quirky moments in “a, e, C, G” meeting technical, steel cold, action, crime and sci-fi shapes in “t, f, r” where the terminals are cut-off. Also these contrast with the classical forms of other letters. The dots are rounded for accents contrary punctuation is squared this leads to better recognition.
Design: Martin Vácha
Spacing and Kerning: Alex Slobzheninov
Design Assistance: David Řeřicha
Released: 11/2020, Update: 1/2021 (V 1.1)
7 weights, 14 styles
Download PDF sheets with all details (samples with all weights and styles, opentype features, listed all characters & language support). You can print them. We recommend black and white laser printer.