Post Collection: 4 Families
Total: 12 Stylistic Sets, 12 Figure Sets, 3 Others
Note: Create your own version of our retail typefaces using available alternates and other OpenType features via our Editor.
Afrikaans, Albanian, Bosnian, Catalan, Croatian, Czech, Danish, Dutch, English, Esperanto, Estonian, Filipino, Finnish, French, German, Hungarian, Icelandic, Indonesian, Irish, Italian, Latvian, Lithuanian, Luxembourgish, Polish, Portuguese, Romanian, Scottish Gaelic, Slovak, Slovenian, Spanish, Swedish, Swiss German, Turkish, Welsh
Long before Post, there was a typeface: a strangely authentic interpretation of a glitched-out Courier. It’s stroke variation was based solely on poorly placed pixels. Even so, the typeface remained fully readable at smaller sizes, which led Viktor to conduct separate research into readability.
A deconstructed and poorly scanned Courier typeface inspired Viktor’s first sketches of Post. Beauty can be found everywhere, even in a typeface brutally compressed by algorithms.
principles of a non traditional stroke variations applied to whole typeface. A really timeless family, that screams Czech type design. Some of those principles also apply to Post.
This version, heavily inspired by the “postproduced” Courier, was crucial to the final appearance of Post. Its strokes vary according to the scanned original, which was taken from a 1-bit PDF file. Using this version, Viktor typeset the entire book Postproduction from the ground up, proving that even such a heavily corroded typeface can remain readable. This led to further research into typefaces that exaggerate specific parts of letterforms in order to improve readability.
This version of Post was heavily inspired by many great Czech text typefaces of the 20th century. Some of the characteristics of the final Post are beginning to surface, but there is still a long road ahead. The notes are by Matyáš Machat, who became a crucial consultant during this part of the development.
Available in two styles: Regular and Oblique. Some characters were completely redrawn in the final version, while others remained the same.
Post is an original post-produced typeface. The initial inspiration for the first sketch came from a pixelated, glitched-out version of the Courier typeface in Nicolas Bourriaud’s book titled Postproduction. Over time, the typeface evolved to resemble the proportions of great 20th-century text typefaces as well as typewriter letterforms, but it also challenges the conventional way those shapes are drawn.
Throughout the entire font, there is added weight to the parts of the letter that are most defining for each letter. This distinctive feature makes Post stand out in its display form, while also ensuring its readability in smaller sizes. As a result, it is an ideal choice for expressive large sizes as well as lengthy texts.
| Design | Viktor Mizera |
| Spacing & Kerning | Igino Marini |
| Range | 28 Weights, 56 Styles 4 VF Axes: Weight, Mono, Slant, Contrast |
| First Sketch | Jan 2023 |
| Released | Apr 2026 |
| Update | Jun 2026 |
| Version | 1.000 |