Tobias - Displaay Type Foundry

Trail des Terroirs
Vosgiens:
EPINAL, FR

Tobias
Aaa Bb !Dd
RrSs 432 “IiJj”
1, & Ggg

Selected glyphs: Tobias Regular
Cc Ee* Ff
Hh “Kk 56. Mm”
7€, Qq

Essential Glyphs: Tobias Regular Italic

Aa

Details: Tobias Light
Ss

Details: Tobias Light
Gg

Details: Tobias Light
Thin Thin Italic

Light Light Italic

Regular Regular Italic

Medium Medium Italic

SemiBold SemiBold Italic

Bold Bold Italic

ExtraBold ExtraBold Italic

Heavy Heavy Italic

Details: Tobias Medium
AäBbCcDdEęFfGgHh
IiJjKkLlMmNnØoPpQq&!
RrŞsTtUuVvWwXxYyZz
1234567890?
[(aaa, CcGSs, du,
g, grt, KkR, M)]

Tobias Basic Set

Aesthetic
Judgments

Tobias Thin
Sensori Emotional
Analytic INTL.
Est. 1790

Tobias Regular
Essay On
Nonutilitarian
Pleasure

Tobias Medium
New Criticism

Tobias SemiBold
L'esthétique

Tobias Bold
Ästhetik als
Theorie der Kunst

Tobias ExtraBold
Encaustic Network
Unlimited

Tobias Heavy

House is a genre of electronic dance music. It was created by disc jockeys and music producers from Chicago's underground club culture in the early and mid 1980s, as DJs from the subculture began altering disco dance tracks to give them a more mechanical beat and deeper basslines. As well, these DJs began to mix synth pop, rap, Latin music, and even jazz into their tracks.

The genre was pioneered by DJs and producers mainly from Chicago and New York such as Frankie Knuckles, Larry Levan, Ron Hardy, Jesse Saunders, Chip E., Steve "Silk" Hurley, Farley "Jackmaster" Funk, Mr. Fingers, Marshall Jefferson, Phuture, and many others. It was originally associated with the Black American LGBT subculture but has since spread to the mainstream.

From its beginnings in the Chicago club and local radio scene, the genre expanded internationally to London, then to other American cities such as New York City and Detroit, and has become a worldwide phenomenon ever since. During the years, it has spawned numerous subgenres, such as acid house, deep house, garage house, hip house, ghetto house, progressive house, tech house, electro house, and many more.

House has had and still has a huge impact on pop music in general and dance music in particular. It has been picked up by major pop artists like Janet Jackson, Madonna, and Kylie Minogue, but also produced some mainstream hits on its own, such as "French Kiss" by Lil Louis (1989), "Show Me Love" by Robin S. (1992), or "Push the Feeling On" by Nightcrawlers (1992). Many house producers also did and do remixes for pop artists. As of today, house music remains popular on

Tobias Regular
House is a genre of electronic dance music. It was created by disc jockeys and music producers from Chicago's underground club culture in the early and mid 1980s, as DJs from the subculture began altering disco dance tracks to give them a more mechanical beat and deeper basslines. As well, these DJs began to mix synth pop, rap, Latin music, and even jazz into their tracks.

The genre was pioneered by DJs and producers mainly from Chicago and New York such as Frankie Knuckles, Larry Levan, Ron Hardy, Jesse Saunders, Chip E., Steve "Silk" Hurley, Farley "Jackmaster" Funk, Mr. Fingers, Marshall Jefferson, Phuture, and many others. It was originally associated with the Black American LGBT subculture but has since spread to the mainstream.

From its beginnings in the Chicago club and local radio scene, the genre expanded internationally to London, then to other American cities such as New York City and Detroit, and has become a worldwide phenomenon ever since. During the years, it has spawned numerous subgenres, such as acid house, deep house, garage house, hip house, ghetto house, progressive house, tech house, electro house, and many more.

House has had and still has a huge impact on pop music in general and dance music in particular. It has been picked up by major pop artists like Janet Jackson, Madonna, and Kylie Minogue, but also produced some mainstream hits on its own, such as "French Kiss" by Lil Louis (1989), "Show Me Love" by Robin S. (1992), or "Push the Feeling On" by Nightcrawlers (1992). Many house producers also did and do remixes for pop artists. As of today,

Tobias Regular Italic

Architecture

Brainwash

Bitcoin

Creative

D

Easthetic

Feed

G

H

Illustration

Jack 3,5

Magazine

Louisiana

München

Multi-Collection

Moderna

Museet

National Ballet

Railway

Subway
Tobias Bold
Tube

Urban

Vision

Waste

Zillion

Vision

W

Xylophone

Yeah

Zoltan

0.8900.10

1986
Tobias Bold

ISBN
978-80-7010-168-1

Tobias Thin Italic
CHÂTEAUS
ISSUE 8

Tobias Light Italic
Überlegungen

Tobias Regular Italic
Grundlagen der
Klassischen Indischen
Musik.

Tobias Medium Italic
Überlieferung
Material

Tobias SemiBold Italic
Konzeptionen in
Anlehnung an den
Daoismus

Tobias Bold Italic
École de Surf de
Bretagne

Tobias ExtraBold Italic
European Society of
Biomechanics ESB

Tobias Heavy Italic

Tobias, Trials, Buy

Info

Tobias is a serif typeface with a baroque and transitional appearance. His weight stress is still diagonal like in Old-Style or Renaissance typefaces. It’s x-height is higher than usual and connection on stems is not smooth (arches are punched into stems). It stands next to his brother Teodor and sister Reckless. As Tobias originates from Baroque roots appropriate terminals are made up from drops and ears. The typeface includes numerous alternates which play with different directions of serifs.

In Tobias you can find certain similarities with Times and Times New Roman (1904 William Starling Burgess, 1931–1974 Stanley Morison, Victor Lardent), Baskerville (1923 John Baskerville) and Goudy (1908 Frederic W. Goudy).

Design: Martin Vácha
Design Assistance, Spacing, Kerning: Kristína Jandová

technicalities

Range: 8 weights, 16 styles
1 VF Axis: Weight

Technicalities

Released: Jan 2019

Update: May 2025

Version: 4.000; ttfautohint (v1.8.4.7-5d5b)

Specimen: Download PDF

Language Support

Selected languages: Latin Extended-A: Afrikaans, Albanian, Bosnian, Catalan, Croatian, Czech, Danish, Dutch, English, Esperanto, Estonian, Filipino, Finnish, French, German, Hungarian, Icelandic, Indonesian, Irish, Italian, Latvian, Lithuanian, Luxembourgish, Norwegian, Polish, Portuguese, Romanian, Scottish Gaelic, Slovak, Slovenian, Spanish, Swedish, Swiss German, Turkish, Welsh ...

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License Guide

Desktop

Offline outputs & Social

All materials that can be created on a computer in desktop software
All printed or static digital files that can be created using online tools, like Canva or Figma
The licensee can share fonts with its contractors
Raster-based images or Vector files
Prints, Posters, Packaging, Books, Catalogues
Merchandising (Tshirts, Mugs, any objects)
Signage, Wayfinding, Architecture
Social (static Posts & Stories)
ePub, eBook
Static web banners
Storing the fonts on company servers or clouds

otf, ttf

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Websites, web applications
& Digital Advertising

For 1 domain (with all related subdomains)
Hosting only on your own FTP server with @fontface technology
HTML5 digital ads using @fontface

woff, woff2

App

Mobile, Tablet, or
any remote device application

For use when fonts are integrated (embedded) into an application

otf, ttf

Video

Motion

For any video, motion footage, streaming or broadcast content
Social (motion Posts & Stories)

otf, ttf

Logo

Brand

To use the font in a logo, logotype, wordmark or slogan

otf, ttf

All licenses are perpetual, one-time fees.
If you need to upgrade your purchased amounts, you can do so via the link you received with your order.
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Tobias, Trials, Buy

Info

technicalities

Language Support

Language Support, Full List
Latin Extended-A

Buy here from 55€

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Thin	Thin Italic
Light	Light Italic
Regular	Regular Italic
Medium	Medium Italic
SemiBold	SemiBold Italic
Bold	Bold Italic
ExtraBold	ExtraBold Italic
Heavy	Heavy Italic