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Freaking MAG
Reckless NEUE Thin
  • AaBbCc—Gg
    DdEëFfHh
    Reckless NEUE
    QqXxYyZz, &

    Essential Glyphs: Reckless NEUE Thin

  • Robert Schumann:
    Klavierquartett
    Es-Dur op. 47

    Reckless NEUE Light Italic

 
  • Aa

    Details: Reckless NEUE Light

  • Ss

    Details: Reckless NEUE Light

  • Gg

    Details: Reckless NEUE Light

  • Thin Thin Italic T1
    Light Light Italic L2
    Book Book Italic B3
    Regular Regular Italic R4
    Medium Medium Italic M5
    SemiBold SemiBold Italic SB6
    Bold Bold Italic B7
    Heavy Heavy Italic H8

    Reckless NEUE Full Family

  • ABCDEFGHIJKLMN
    OPQRSTUVW. XYZ
    “abcdefghijklmnopqrst”
    uvwxyz, @&987654—3210
    (aggg. Kkrt; @
    yyyMR&]

    Reckless NEUE Basic Set

 
  • Aesthetic
    Judgments

    Reckless NEUE Thin

  • East-Side Boyss
    LP 304

    Reckless NEUE Light

  • Asthetik als Theorie
    der Kunst

    Reckless NEUE Book

  • Sensori Emotional
    Analytic INTL.
    Est. 1790

    Reckless NEUE Regular

  • Essay On
    Nonutilitarian
    Pleasure

    Reckless NEUE Medium

  • New Criticism

    Reckless NEUE SemiBold

  • L'esthétique

    Reckless NEUE Bold

  • Encaustic Network
    Unlimited

    Reckless NEUE Heavy

 
  • House is a genre of electronic dance music. It was created by disc jockeys and music producers from Chicago's underground club culture in the early and mid 1980s, as DJs from the subculture began altering disco dance tracks to give them a more mechanical beat and deeper basslines. As well, these DJs began to mix synth pop, rap, Latin music, and even jazz into their tracks.

    The genre was pioneered by DJs and producers mainly from Chicago and New York such as Frankie Knuckles, Larry Levan, Ron Hardy, Jesse Saunders, Chip E., Steve "Silk" Hurley, Farley "Jackmaster" Funk, Mr. Fingers, Marshall Jefferson, Phuture, and many others. It was originally associated with the Black American LGBT subculture but has since spread to the mainstream.

    From its beginnings in the Chicago club and local radio scene, the genre expanded internationally to London, then to other American cities such as New York City and Detroit, and has become a worldwide phenomenon ever since. During the years, it has spawned numerous subgenres, such as acid house, deep house, garage house, hip house, ghetto house, progressive house, tech house, electro house, and many more.

    House has had and still has a huge impact on pop music in general and dance music in particular. It has been picked up by major pop artists like

    Reckless NEUE Regular

  • House is a genre of electronic dance music. It was created by disc jockeys and music producers from Chicago's underground club culture in the early and mid 1980s, as DJs from the subculture began altering disco dance tracks to give them a more mechanical beat and deeper basslines. As well, these DJs began to mix synth pop, rap, Latin music, and even jazz into their tracks.

    The genre was pioneered by DJs and producers mainly from Chicago and New York such as Frankie Knuckles, Larry Levan, Ron Hardy, Jesse Saunders, Chip E., Steve "Silk" Hurley, Farley "Jackmaster" Funk, Mr. Fingers, Marshall Jefferson, Phuture, and many others. It was originally associated with the Black American LGBT subculture but has since spread to the mainstream.

    From its beginnings in the Chicago club and local radio scene, the genre expanded internationally to London, then to other American cities such as New York City and Detroit, and has become a worldwide phenomenon ever since. During the years, it has spawned numerous subgenres, such as acid house, deep house, garage house, hip house, ghetto house, progressive house, tech house, electro house, and many more.

    House has had and still has a huge impact on pop music in general and dance music in particular. It has been picked up by major pop artists like

    Reckless NEUE Regular Italic

 
    • Architecture
    • Brainwash
    • Bitcoin
    • Creative
    • D
    • Easthetic
    • Feed
    • G
    • H
    • Illustration
    • Jack 3,5
    • Magazine
    • Louisiana
    • München
    • Multi-Collection
    • Moderna
    • Museet
    • National Ballet
    • Railway
    • Subway

    Reckless NEUE Bold

    • Tube
    • Urban
    • Vision
    • Waste
    • Zillion
    • Vision
    • W
    • Xylophone
    • Yeah
    • Zoltan
    • 0.8900.10
    • 1986
    •  
    •  
    •  
    •  

    Reckless NEUE Bold

 
  • ISBN
    978-80-7010-168-1

    Reckless NEUE Thin Italic

  • CHÂTEAUS
    ISSUE 8

    Reckless NEUE Light Italic

  • École de Surf
    de Bretagne

    Reckless NEUE Book Italic

  • Überlegungen

    Reckless NEUE Regular Italic

  • Grundlagen der Klassischen
    Indischen Musik.

    Reckless NEUE Medium Italic

  • Überlieferung
    Material

    Reckless NEUE SemiBold Italic

  • Konzeptionen in Anlehnung an den
    Daoismus

    Reckless NEUE Bold Italic

  • European Society of
    Biomechanics ESB

    Reckless NEUE Heavy Italic

 

Tester, Glyphs

Background:
Paragraph
Align
Opentype Features
  1. Stylistic Sets:
  • Blood Orange
    4:34 I KNOW
    (Freetown Sound))
    [Domino REC.
  • Numbers 4–7 of Douze Études dans tous les tons mineurs, Op. 39, for solo piano
  • In evolutionary ecology, a parasitoid is an organism that lives in close association with its host at the host's expense, eventually resulting in the death of the host. Parasitoidism is one of six major evolutionary strategies within parasitism, distinguished by the fatal prognosis for the host, which makes the strategy close to predation. Among parasitoids, strategies range from living inside the host (endoparasitism), allowing it to continue growing before emerging as an adult, to paralysing the host and living outside it (ectoparasitism). Hosts can include other parasitoids, resulting in hyperparasitism; in the case of oak galls, up to five levels of parasitism are possible. Some parasitoids influence their host's behaviour in ways that favour the propagation of the parasitoid. Parasitoids are found in a variety of taxa across the insect order of endopterygote, whose complete metamorphosis may have pre-adapted them for a split lifestyle, with parasitoid larvae and freeliving adults. Most are in the Hymenoptera, where the ichneumons and many other parasitoid wasps are highly specialised for a parasitoidal way of life. Other parasitoids are in the Diptera, Coleoptera and other orders of endopterygote insects. Some of these, usually but not only wasps, are used in biological pest control. The biology of parasitoidism has inspired science fiction authors and scriptwriters to create numerous parasitoidal aliens that kill their human hosts, such as the alien species in Ridley Scott's 1979 film Alien.






Background:

    Reckless Neue

    Reckless is a serif text font family with a renaissance (old-style) look and with a significantly elevated x-height. It was designed during an internship at the London University of Arts where I could study sources of serif renaissance fonts in both the UAL Saint Martins Library and the Monotype Library. The typeface includes numerous alternates.

    Reckless Neue is a version with higher contrast, reorganized character set and new weights (Thin, Book).

    Reckless is mainly inspired by Plantin, Plantin Infant (c. 1700 Robert Granjon, 1913 Frank Hinman Pierpont), all versions of Times, Times New Roman (1904 William Starling Burgess, 1931–1974 Stanley Morison, Victor Lardent) and all versions of Caslon (1722 William Calson).

    Design: Martin Vácha
    Spacing and Kerning: Kaja Słojewska
    Released: 6/2019
    8 weights, 16 styles

    Specimen

    Download PDF sheets with all details (samples with all weights and styles, opentype features, listed all characters & language support). You can print them. We recommend black and white laser printer.

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