Booton - Displaay Type Foundry

UNIWIDTH:
Equal-Width
Duplexed,
Multiplexed

UNIVERSAL:
from display
to text

AaBbCc
DdEë, Ff-GgHh
Booton
QqRrSs @1234

Aa

Detail: Booton SemiBold
tRs

Detail: Booton SemiBold
Gt

Detail: Booton SemiBold
Booton Thin Italic
Booton ExtraLight Italic
Booton Light Italic
Booton Regular Italic
Booton Medium Italic
Booton SemiBold Italic
Booton Bold Italic
Booton Heavy Italic

Full Family: Booton
AäBbCc123 &DdEe
FfGgHh"liJj ⅜❻Kk
LIM, mP NnOo⑦ Pp
QqRrSs@TtUu 89
VvWwXxYyZz)

Basic Set: Booton

Extracellular
Matrix 241
WD SHORE
Cryostage, ”Inc.

Weights: Booton Thin
Aesthetic
Judgments

Weights: Booton ExtraLight
Sensori Emotional
Analytic INTL. Est. 1790

Weights: Booton Light
East-Side Boyss
 LP 304

Weights: Booton Regular
Essay On
Nonutilitarian Pleasure

Weights: Booton Medium
New Criticism
978-0-226-78665-0

Weights: Booton SemiBold
Encaustic
Unlimited Network

Weights: Booton Bold
A Decade of
Sculpture: 
the New Media

Weights: Booton Heavy

House is a genre of electronic dance music. It was created by disc jockeys and music producers from Chicago's underground club culture in the early and mid 1980s, as DJs from the subculture began altering disco dance tracks to give them a more mechanical beat and deeper basslines. As well, these DJs began to mix synth pop, rap, Latin music, and even jazz into their tracks. The genre was pioneered by DJs and producers mainly from Chicago and New York such as Frankie Knuckles, Larry Levan, Ron Hardy, Jesse Saunders, Chip E., Steve "Silk" Hurley, Farley "Jackmaster" Funk, Mr. Fingers, Marshall Jefferson, Phuture, and many others. It was originally associated with the Heavy American LGBT subculture but has since spread to the mainstream. From its beginnings in the Chicago club and local radio scene, the genre expanded internationally to London, then to other American cities such as New York City and Detroit, and has become a worldwide phenomenon ever since. During the years, it has spawned numerous subgenres, such as acid house, deep house, garage house, hip house, ghetto house, progressive house, tech house, electro house, and many more. House has had and still has a huge impact on pop music in general and dance music in particular. It has been picked up by major pop artists like Janet Jackson, Madonna, and Kylie Minogue, but also produced some mainstream hits on its own, such as "French

Typesetting: Booton Regular
El House es un estilo de música electrónica de baile (es un estilo de esta pero también es uno de sus primeros géneros y precursores) que se originó en la ciudad de Chicago, Estados Unidos, hacia 1981. Inicialmente, se hizo popular en la primera mitad de los ochenta en las discotecas orientadas hacia el público afroamericano, y latino en Chicago, más adelante en Nueva York y Detroit. Posteriormente llegó a Europa, donde se convirtió en un fenómeno masivo con una influencia
El House es un género ya puramente electrónico, precursor del dance y el Techno con los que comparte el patrón four-on-the-floor. Se trata del género musical con el golpe de bombo más grave y marcado. Sin embargo sus melodías son alegres lo que lo hace menos pesado que el techno. Aún con todo es un género intenso y poco comercial, cuya estructura no siempre tiene un orden establecido o directamente es una repetición constante de principio a fin. Sus principales influencias
están en el electro, hi-NRG y electrónica, aunque también está influido por las variantes más Soul y Funk de la música Disco. También contiene numerosos elementos del disco pero tendiendo a ser más electrónico y minimalista. Generalmente imita la percusión del disco, especialmente el uso de un prominente golpe de bombo con cada beat, aunque también puede incluir poderosas líneas de bajo sintetizadas, baterías electrónicas, samples de electro funk y pop, además

Typesetting: Booton Regular
Styl je založený na tónním 4/4 taktu v rychlosti mezi 115 až 145 BPM. Základ skladby typicky vytváří bicí automat (nejčastěji Roland TR-808, Roland TR-909) se zvýrazněným basovým bubnem (slangově „kopák“, velký buben) na každé době (celá nota) v taktu. Toto zvukové schéma vytvořili DJs (zejména afrického a hispánského původu) začátkem 80. let 20. st. ve městech New York, Detroit a Chicago upravováním disco, soulových a funkových skladeb podkreslováním
dynamickým a úderným zvukem typickým pro bicí automaty. Mezi zakladateli byli mj. Marshall Jefferson, Frankie Knuckles, DJ Pierre, Larry Levan aj. Vlna House Music od svého vzniku během následujících dvaceti let zasáhla hudební průmysl po celé zeměkouli a dala tím vzniknout různým mutacím. Nejprve američtí DJs začali svou hudbu (resp. Garage a Acid House) hrát na Britských ostrovech, odkud se styl rychle rozšířil přes Nizozemí a Belgii i na evropský kontinent. Ve Velké Británii tak vznikly
žánry jako Rave a Speed Garage, v Itálii Italo House, v Belgii New Beat a částečně i Electronic Body Music (EBM), v Německu tzv. Dance a Trance a ke konci století se vlna dostala do latinskoamerických zemí, odkud se šíří Latin House. Název House Music dostal styl podle dnes již neexistujícího chicagského klubu zvaného Warehouse; často se uvádí, že název vznikl tak, že se hrál na domácích večírcích (House party), kde se poprvé začaly míchat vinyly a také, že se

Typesetting: Booton Regular

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Showcase: Booton Bold

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FW②③

Styles: Booton Thin Italic
Prometheus

Styles: Booton ExtraLight Italic
Original
Resurrection

Styles: Booton Light Italic
Weaponized
Android Engineers,
V1.3

Styles: Booton Regular Italic
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Styles: Booton Medium Italic
Extraterrestrial
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Styles: Booton SemiBold Italic
The Transparency
 of Evil 1990

Styles: Booton Bold Italic
Of the Standard
 OF TASTE

Styles: Booton Heavy Italic

Booton, Trials, Buy

Info

Booton is a versatile sans-serif typeface engineered for the digital age. Its unique uni-width feature maintains consistent glyph widths across all weights and styles, ensuring stable spacing and alignment—ideal for button designs and digital interactions like hover effects.

Booton’s design enhances readability on screens with a high x-height and legibility-focused elements like ink traps and strong tapering at stem connections. Distinctive glyph shapes in the lowercase “l” and uppercase “t”, alongside subtle cropped diagonals, contribute to its adaptability.

Moreover, technical touches such as hard-edge inner corners and open upper terminals enhance its modern feel. The typeface supports a range of OpenType features, including Stylistic Sets and Contextual Alternates, boosting its utility across various digital platforms.

Design: Daniel Quisek

Assistance: Viktor Mizera

Spacing, Kerning: Igino Marini

Hinting: Jan Charvát, Zuzana Konečná (Renegades Fonts)

technicalities

Range: 8 weights, 16 styles
2 VF Axis: Weight, Italic

Technicalities

First Sketch: Aug 2021

Released: Sep 2024

Version: 1.000; glyphs 3.3 (3322)

Microsite: View the Link

Language Support

Selected languages: Latin Extended-A: Afrikaans, Albanian, Bosnian, Catalan, Croatian, Czech, Danish, Dutch, English, Esperanto, Estonian, Filipino, Finnish, French, German, Hungarian, Icelandic, Indonesian, Irish, Italian, Latvian, Lithuanian, Luxembourgish, Norwegian, Polish, Portuguese, Romanian, Scottish Gaelic, Slovak, Slovenian, Spanish, Swedish, Swiss German, Turkish, Welsh ...

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